Christine de Pizan

Christine de Pizan
The Writer Christine de Pizan at Her Desk
Showing posts with label Catherine the Great. Show all posts
Showing posts with label Catherine the Great. Show all posts

Tuesday, December 29, 2015

Elizabeth, Empress of Russia

Elizaveta Petrovna, empress of Russia (born 29 December 1709)


For most of the eighteenth century, the Russian empire was ruled not by a series of emperors but by four empresses: 

  • Catherine I was the empress consort of Peter the Great. After his death, she ruled, briefly, as empress in her own right, from 8 February 1725 until 17 May 1727, about sixteen months. 
  • Anna of Russia, Peter the Great's niece, was empress of Russia from 30 January 1730 until her death, 28 October 1740. After her death, she was succeeded--briefly--by her grandnephew, Ivan VI, but the one-year-old was overthrown rather quickly by Catherine I's daughter, Elizabeth.
  • Elizabeth was empress of Russia for some twenty years, from 6 December 1741 until 5 January 1762.
  • Catherine II of Russia--Catherine "the Great"--ruled the Russian empire for more than thirty years, from 9 July 1762 until 17 November 1796.

In his essay on portraits of these empresses, John T. Alexander uses the term "Amazon autocratrixes"--love it!!!! The four women all had themselves painted as Amazons and, as Alexander explains "autocratrixes," they "all came to power via palace revolutions of varied sorts" and all four "maintained the idea (or fiction) of autocracy."

The third of these empresses was Elizaveta Petrovna--or, more simply, Elizabeth, born in Moscow in 1709. Because her parents had married secretly in 1707, their marriage only made known publicly in 1712, her legitimacy would later be questioned, her marriage prospects nullified, her right to govern as empress challenged. 

Elizabeth of Russia,
about 1720
Her father, the emperor known as Peter “the Great,” seemed to have cherished an idea that Elizabeth would marry Louis XV of France, and her education, supervised by a French governess, focused on European languages, social skills and etiquette, music, and riding. She was praised as a beauty and for her vivacity.

There is some indication that Elizabeth’s father intended to name his older daughter, Anna, as his successor at the time of his death in 1725 (she had just been betrothed to Charles Frederick, duke of Holstein-Gottorp, their marriage taking place just months after the emperor's death). But the emperor had been unable to find a suitable match for his younger daughter, Elizabeth, before he died--perhaps, in part, because of lingering questions about her legitimacy, the Bourbons had rejected the idea of a match with the French Louis.

After the brief reign of Elizabeth's mother, Catherine, as empress of Russia, Elizabeth's half-nephew succeeded as emperor, becoming Peter II. (Catherine had been Peter the Great's second wife--Peter II was Peter the Great's grandson, the child of his son by his first wife.) Although Elizabeth was named as joint regent for Peter II, just twelve at the time, court politics and intrigues kept her from any real power or influence.

But after Peter II's brief reign (1727-30), Elizabeth suffered once Anna Ivanovna assumed the throne of Russia. (Anna's father, Ivan V, had been tsar and co-ruler of Russia with his younger brother, Peter, but their joint rule ended with Peter assuming complete power.)

During Anna's ten year reign as empress of Russia, no marriage possibilities were considered for Elizabeth--so she began a series of affairs. As a result, the Empress Anna threatened to send her to a convent. Elizabeth's finances were cut, and she was kept under surveillance, but during this time she also gathered support.

Anna adopted her eight-week-old grandnephew just days before her death and named him as her successor, the boy becoming Ivan VI. But thirteen months later, Elizabeth staged a coup d’état, removing Ivan and naming herself empress. (The boy and his mother/regent, Anna Leopoldovna, were imprisoned in a fortress near Riga, then exiled. Anna Leopoldovna died in 1746, but Ivan lived into the reign of Catherine the Great--in 1764, after more than twenty years of imprisonment, Ivan was executed after an unsuccessful effort to free him.)

Elizabeth as empress,
1760
Once she became empress, and despite the fact that she had not been trained to rule, Elizabeth's tact, good judgment, and sense of diplomacy ensured her successes. She reorganized the government, refocused Russia's foreign policy, supported educational and cultural developments (under her reign the first university was founded in Russia, and she founded the St. Petersburg Academy of Sciences).

She abolished capital punishment, patronized artists, architects, composers, and writers, hosted lavish pageants and parties, and spent a lot of time and money on elaborate clothing, including menswear. 

In her 1970 biography of the empress, historian Tamara Talbot Rice recorded this description of Elizabeth: "the laziest, most extravagant and most amorous of sovereigns." Given all the horrors of so many rulers throughout history, I'd say this assessment wasn't bad, all things considered.

Elizabeth of Russia never married. Well aware that the deposed Ivan VI might be used as a puppet ruler after her death, she selected her nephew, Peter of Holstein-Gottorp, as her heir. He was her sister Anna's son, though Anna had died when the boy was just a few months old, his father when the boy was eleven. In 1742, she proclaimed him heir and brought him to St. Petersburg, where he was given Russian tutors and a bride, his second cousin Sophia Augusta Frederica, who was renamed Catherine.

On her death, Elizabeth was in fact succeeded by her nephew--but Peter III was only emperor of Russia for six months. He was forced to abdicate, succeeded by his wife, Catherine--you know, the one who became Catherine the Great.

There are several well detailed biographical essays about Elizabeth of Russia online, including John T. Alexander's entry from the Encyclopedia of Russian History and Olga Prodan's entry on Elizabeth Petrovna Romanovna from the online Russiapedia.

There are two out-of-print but widely available multiple biographies: Philip Longworth's 1973 The Three Empresses: Catherine I, Anne, and Elizabeth of Russia and Robert Coughan's 1974 Elizabeth and Catherine: Empresses of All the Russias. Rice's seems to be the only individual biography--but used copies are readily available of this as well as of the Longworth and Coughan books.


Sunday, December 27, 2015

Marlene Dietrich Forever

Marlene Dietrich, Hollywood legend (born 27 December 1901)


Several years ago, one of my students stopped by my office to talk about a topic for a paper she was working on. We were reading Renaissance drama, and she was excited by the "cross-dressed heroines" that appeared in several plays. She was connecting the plays we were reading with a play she knew, Shakespeare's As You Like It, and was shocked by the issues of sex, gender, sexuality, and desire that these plays were raising (we had read Lyly's Galatea, Jonson's Epicoene, and, for a real twist, Margaret Cavendish's The Convent of Pleasure).

A "cross-dressed" Dietrich in
Morocco
My student was struggling with ideas that weren't exactly new--feminist, gender, and queer theorists and critics have been reading these early-modern "transvestite heroines" for several decades--but they were new to her, and that was the point. She was struggling to sort out her insights and ideas and what exactly she wanted to say. 

She was excited and that made me excited--and after an hour or so of great conversation, as she was picking up all her texts, she pointed to a poster I had hanging in my office. "I've been meaning to ask," she said. "Who's that, anyway?"

That was a picture of Marlene Dietrich, one of the great screen presences. I was stunned that this bright, articulate, and very well read student didn't recognize Marlene Dietrich.

Well, to be honest, it's not that she didn't recognize Dietrich, she just had no idea who it was at all. 

I probably went on and on (okay, I did go on and on), but I suggested that, if she had a Netflix subscription, she make sure to put the 1930 film Morocco at the top of her queue--it had a great scene with a cross-dressed heroine . . .  

I don't remember much about the literature paper my student wrote, but I do remember that she watched that Dietrich film! And then went on to watch all the Dietrich that she could find . . . 

A glorious still from Shanghai Express
There are great online sites if you don't know Dietrich, or don't know as much about her as you'd like. So I'm linking here to the official Marlene Dietrich website, which doesn't try to sell you stuff and seems to be associated with the estate.* There is all kinds of biographical information there. I'll also link you here to the New York Times obituary, which also gives you good biographical information, and here to the entry for Dietrich on the Turner Classic Movies website.**

Mostly, though, the best way to know Marlene Dietrich is by her films! Definitely watch Morocco, but I'd also recommend Shanghai Express--which also features the brilliant Anna May Wong--and the truly bizarre Blonde Venus. And you might also enjoy The Scarlet Empress, with Dietrich as Catherine the Great . . . 

And one of my favorites is a film from very late in her career, 1957's Witness for the Prosecution. I watch it almost every time I find it on the TCM schedule, and it never fails to mesmerize me. 

Finally, I love Dietrich as a singer. Here's "Falling in Love Again" from a 1972 television special--this woman was in her seventies, people! (There are many performances from her long career posted on YouTube. They are occasionally removed, I am assuming for copyright reasons. If the link I've provided here doesn't work, just search YouTube, and you'll find many, many Marlene Dietrich songs, some recorded during live performances, others from her recordings.)



Update (June 2017): The National Portrait Gallery (Washington, D. C.) is hosting an exhibition, "Marlene Dietrich: Dressed for the Image," open from 16 June 2017 to 15 April 2018--focusing on Dietrich's androgyny and the way she "challenged strictly limited notions of femininity." For more details, click here.

*Update, 27 December 2021: This link seems to be no longer working, and I have not been able to find the new online address for this "official" Marlene Dietrich website. I've left the link, hoping the site may be back at some point.

Update, 27 December 2024: The website is back!

**Turner Classic Movies still has lots of great material on Dietrich (use the search function), but the “overview” of her life and career seems no longer to exist. I’ve linked here to the overview as it has been preserved by the Internet Archive. (If you search at the TCM site, don’t miss Frank Miller’s profile of Dietrich—it’s no substitute for the old overview, but it’s a succinct essay about her career.)